氏. リュウ・タイゲ, シンガポールの元チーフプランナーであり、 “シンガポール計画の父”, 国際的なデザインの第一人者, Aurora Silk Scarf プラットフォームに親指を立てました!

デザインの第一人者、Liu Taige 氏がオーロラのスカーフを称賛: Eastern aesthetic resonance in weaving patterns

いつミスター. リュウ・タイゲ, シンガポール計画の父, touched the pattern of Aurora silk scarf with his fingertips and the red background ink book inscription “Chunxi” served as a backdrop, this interaction across the design field made a square of silk a vivid carrier of Eastern aesthetics.

As an internationally renowned design expert, 氏. Liu Taige has always had a precise perception of aesthetics – when he unfolded the scarf with the brand representative, the appreciation in his eyes was clear: “This pattern contains both traditional Eastern rhythms and exquisite modern design, weaving culture into every thread.” The flowers, birds, and water patterns on the scarf complement the calligraphy inscriptions behind him, as if letting the aesthetic atmosphere in the space flow with the weaving patterns.

Aurora scarves have gained recognition from this master planner precisely because of their ingenious idea of “conveying ideas through patterns”: from the composition of patterns to the blending of colors, they not only inherit the artistic conception of Eastern aesthetics, but also present touchable delicacy with modern craftsmanship. And Mr. Liu Taige’s praise is more like a dialogue between the design industry and intangible cultural heritage craftsmanship – when the macro aesthetics of urban planning meet the micro craftsmanship of silk weaving, they collide to resonate with the idea that “both big and small are beautiful”.

When the silk scarf stretched out in the hands of the two, 氏. Liu Taige’s smile concealed his affirmation of the carrier of Eastern culture: this square silk is not only an accessory, but also a cultural symbol that can walk between life and art. おそらく将来的には, there will be more “小さくて美しい” like this, becoming a gentle footnote for Eastern aesthetics to go global.